Hello Jean! Thanks for sharing your great work. I was immediately drawn to the pops of color and the confusion of size and space. I think it's the color that first attracts the viewer. I find myself drawn to the energy of bright greens, reds, etc. When I spend time looking for longer, that's when I am asked the question (s): What am I looking at? What is his size? Where is the horizon?
I think it's common to look for our feet while looking at a picture. We search for clues as to how we might exist in the picture, if we could stand there. Your images become abstract descriptions of space, in part, because of the absence of this horizon line. I can't imagine myself standing in the picture, so instead I just have to trust and exist in the baseless picture.
I think the ones that take this game of space and form further are more intriguing than those where I have a sense of the relationship of things. It seems that these images document spaces larger than a few of the others, which I think allows for a greater sense of implicit dimension.
It reminds me of the work the Bauhaus movement in photography did with light and shadow in their black and white photography in the 1920s. It also reminds me of the work of photographer Laszlo Moholy Nagy.
I see that you are looking at these pictures, that you find them in the world. I wonder - what if you start directing these compositions in the studio?
I think you have a wonderful start here for a compelling body of work. I encourage you to continue!